Beauty
& Fashion >> Lakme
India Fashion Week 2002
| Lakme
India Fashion Week - Day 4 |
Show 1: Anshu Arora Sen, Nahid Merchant and Pria Kataria
Puri
Anshu
Arora Sen: The day started off by the creation of
Anshu Arora Sen who crafted her collection with purity
of style, substance and purpose. Her collection was
reminiscent of the skill and ingenuity of a master story-teller.
She narrates the story using unusual drapes, bias shapes
and details like contrast- lined fabrics. The minimal
embroideries and use of gentle colours like pearl ivory,
candy pink, charcoal black, muted red and accents of
turquoise were in perfect harmony. Asymmetric hemlines
predominated through crop tops, handkerchief skirts,
pajama pants and bias dresses.
Nahid
Merchant: Followed by was Nahid Merchant featuring
pants, long skirts, shalwar-kurtas in a contemporary
Indian style using fresh pastel shades of lime, lemon,
ivory, and peach along with the deeper blacks and reds
on tussars, crepes, georgettes, and cottons. The corded
jalli work blouses and belts embellished with crystal
and bead-work were unique. Hand-painting with sequin
work and kundan work also stood out in the collection.
Pria
Kataria Puri: Next was the work of Pria Kataria
Puri who in her creation used extensive mirror-work
with all over embroideries, sequins, peacock feathers
all create the brilliance of shine on the kurtas and
churidaars. Her use of ombre, sequins and studs on a
variety of clothing- skirts, pants, kurtas, sarees and
blouses, presented several options to the contemporary
woman. The colour palette moved from black into beige
and deeper spice tones, followed by turquoise and pink.
Egyptian motifs and paisley prints were worked upon
for an alluring evening selection.
Show 2: Malini Ramani and Mandira Wirk
Malini
Ramani: The next show featured Malini Ramani's collection
which was categorized as Earthy Dragons, Party and Ramani
Resort. A palette of kaleidoscopic colours mixed with
diverse treatments of sequins, beadwork, marbling, mirror
work and embroideries painted her canvas. Silhouettes
were hip, young and trendy. There were bold, brazen
and outrageous pants with corsets, kaftans, sarees,
tubular dresses and skirts using colours like black,
white, purple, pink, blue, beige and browns.
Mandira
Wirk: Followed by was Mandira Wirk who featured
a collection that concentrated traditional Indian silhouettes
like the gharara and contemporized it into a fusion
look. The floaty georgettes were embellished with crystal
and were seen in soothing colours like salmon, aqua,
butterscotch and lemon. The ombre dyed asymmetric blouses
with exaggerated angel sleeves were worn with flared
pants, and tie-n-dye sheer blouses were worn over sequined
skirts. Mandira displayed a variety of sarees in ombre
dyed and antique gold embroideries, sequins and beads.
Her western range in blues and whites had asymmetric
skirts with ruffled edges, and loose fitted blouses.
Show 3: Ranna by Ranna Gill
The
next show of the day had concepts which were wild and
dangerous. Ranna Gill presented a very chic collection
inspired by the wild jungle and tribal influences. Her
choice of fabrics, prints, embroideries, colours and
trims were all wild and yet beautifully sexy. A collection
with a lot of kurtas, camisoles, blouses, pants and
sarees, it had a generous sprinkle of bold animal prints,
florals, and delicate tone. The use of bone, beads,
threads, raffia, suede fringes and lace ups added drama
to the sheer organzas, georgettes, crepes and silks.
Show 4: Ashish and Smita Soni
The
last show of the day was presented by Ashish and Smita
Soni who concentrated on the use of indigo denim, pure
white cottons and organic linens. There was ruching,
tucks and pleats, slits, appliqué strips, popcorn perma-setting,
fabric constructed with patches and use of fringes to
enhance the simplicity of the collection. Denim skirts,
dresses, pants, dungarees, kurtas and shirts dominated
the canvas.
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